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Mary, Queen of Scots


‘…a proper Hollywood historical epic in the traditional style…’

‘Mary Queen of Scots Got Her Head Chopped Off’ as Scottish poet and playwright Liz Lochhead noted; in the days before social media, getting cancelled wasn’t something you could easily take back. Mary Stuart didn’t have much luck when it came to men, family, or being a royal; her unhappy story, or at least part of it, is always with us in school-yard chants and popular culture. The much-hyped Margot Robbie/Saoirse Ronan drama didn’t quite take flight, so it’s worth taking a look back at another Hollywood retelling of Mary’s story, Charles Jarrott’s equally historically inaccurate 1971 version which is released this week in a spanking new blu-ray from the British Film Institute.

Screenwriter John Hale was something of a history specialist, working on Anne of a Thousand Days as well as notable tv series Elizabeth R, with the always awesome Glenda Jackson as the Tudor queen. This movie sees Jackson reprise her role as Elizabeth, and in the opposite corner, English rose Vanessa Redgrave plays Mary Stuart, with the action starting as Catholic Mary returns from France to Scotland after her husband’s death, sending red flag alerts at Liz’s court. The English Protestant-raised  queen has her own issues to deal with, but fear that Mary might raise an heir, and an army, lead her to send up a dangerous disruptor in the form of Henry, Lord Darnley (Timothy Dalton), and chaos predictably ensures….

While Jarrott’s film may not be the definitive version of Mary’s story, one as yet untold from a Scottish perspective, it certainly covers most of the key action; the febrile atmosphere of religious hatred and spy-games is well caught, with Ian Holm as Rizzio, the court favourite who we’re told is a papal envoy in disguise. Rizzio gets violently dispatched as Elizabeth meddles in Mary’s court, and her love-life, and we move through the gears on our way to the cruel circumstances that led to Mary’s end. For a story full of passion and betrayal, Jarrott’s version is rather stuffy in places, but blu-ray brings out the best in the lush settings of this Hal B Wallis production, including Hermitage Castle in the Scottish borders.

As always, the movies have Mary and Liz meeting on multiple occassions, but you don’t have to be a historian to know that this never actually happened. Redgrave does sing beautifully as Mary, and despite miscasting, reaches the emotional heights required in the final scenes, while British national treasure Jackson artfully conveys Elizabeth’s treacherous mind-set; “Win or lose my wager, I cannot lose the game’ is her analysis of her own dubious actions. Throw in a John Barry score, supporting turns from Nigel Davenport, Patrick McGoohan, Daniel Massey, Trevor Howard and future Star Wars star Jeremy Bulloch (Boba Fett!) and you’ve got a proper Hollywood historical epic in the traditional style, with a few choice lines resonating. ‘It is an unnatural thing for a woman to rule’ might seem like something from the past, but it seems that there’s still adherents today to such outdated, sexist thinking.

Reservations? Over the last twenty years, Scotland has had its own government-controlled film-production arm, Scottish Screen/Creative Scotland, set up under the Conservatives, then operated under Labour and now SNP rule. During that time, external productions have been welcomed, but any thought of Scots making productions which tackle their own history have been strictly verboten. Until Scots are allowed to have their own voice, we’ll be stuck with other cultures making their own version of Mary’s story. What’s surprising about this version is how lacking in local flavour this portrayal is; like Macbeth, it’s another story that we benighted Scots are simply not allowed to tell.

MARY, QUEEN OF SCOTS comes to Blu-ray for the first time in the UK, packed with extras and released by the BFI this week from July 11th. The release coincides with a BFI Southbank season celebrating the immense talent of actor Glenda Jackson, with screenings of film and television work spanning her incredible career. GLENDA JACKSON: THE ART OF CONVICTION takes place from 2-31 July.

Special features

  • Presented in High Definition
  • Audio commentary by film historian and critic Sergio Mims (2020)
  • Isolated John Barry score with commentary from film historians Nick Redman and Jon Burlingame
  • Original overture and musical intermission
  • Riding High (2022, 6 mins): actor Frances White recalls a few of her most memorable experiences on location
  • The Guardian Lecture: Glenda Jackson (1982, 77 mins, audio only): the actor interviewed at the National Film Theatre
  • Now and Then: Vanessa Redgrave (1968, 30 mins): the actor is interviewed by Bernard Braden for his never broadcast series
  • Promotional trailer (1971, 4 mins)
  • Image gallery
  • Newly created audio description track
  • Newly commissioned reversible sleeve art by artist David Downton
  • ***First pressing only*** Illustrated booklet with a new essay by Ellen Cheshire, biographies of Vanessa Redgrave and Glenda Jackson by John Oliver, credits and notes on the special features


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  1. Am about to have a look at Jarrott’s previous movie Anne of the Thousand Days. But it comes with the territory that movie makers alter history. I remember this as a bit stiff at times but worthwhile enough and I certainly take your point about the lack of Scottish input. She’s become an icon that appears fair game to any filmmaker.

  2. So Boba Fett IS the correct answer after all. Fantastic! I love how you tie these things together like that.
    I suspect this play would have been better if Boba Fett had time traveled and cut off Mary’s head. Give the movie that veneer of Space Glam…

      • I was surprised you hadn’t jumped on that bandwagon already. Guess you were too busy celebrating your castoffs from Dix. Well, I have decided to steal the bust. So don’t ever expect to get it….

            • Oh, you ARE tying it all together, sorry I was over reading Alex’s thoughts on four different Mary Queen of Scots movies. Yup, I’m jealous of Fraggle’s life sized model of James Coburn in Cross of Iron. I wouldn’t fancy your chances if you even looked at it; it’s Phil’s.

              • Yeah, today’s been an Everything, Everywhere, All at Once kind of commenting day. I (almost) feel bad for my future biographers.

                I know THAT. That’s why I’m waiting til he kicks the can and she mails it to Alex. The Post Office is ripe for plucking…

                • The bottom line is we need a Scottish version of history that includes figures like Boba Fett who have been neglected. Fact!

                    • Its on principles that we stand or fall.
                      But if you borrowed Boba’s jet pack, you wouldn’t have to worry about principles any more. You could just soar right over them.

                    • There’s no mention of jet packs in this film, I studied it carefully.

                    • That would explain why it failed then. You wouldn’t believe how many failed films don’t have jet packs in them.

                      If Mary had had a jetpack, she could have whizzed right over to Rome and the Vatican and got some of those Secret Swiss Guards and ferried them back and slaughtered every Protestant in the land and kept her throne.
                      “My kingdom for a jetpack!”

                      Even Richard III would have agreed to that statement…

                    • If Dick says so, I wouldn’t doubt it. You describe a fine alternative ending for this film.

      • Right, I read about four different Mary films on your website, and I’m not sure any of them had any Scottish input. There’s another one called Mary’s Ride too. No matter if we’re ruled by nationalists or unionists, the result is the same; we support anyone who wants to tell Scottish stories as long as they’re not Scots. Fact!

    • This is an early incarnation of Boba Fett, no helmet at this point and the Sarlaac monster is largely off-screen…

  3. I wouldn’t think Scots would be too keen on making this their own story. All the Scots are shit. Darnley is an abusive sot. Bothwell was a brutal pig. John Knox is a religious fanatic/bigot. Mary’s a total victim. Better to stick with Wallace.

    Ah, just reading over my own notes on this movie from a year and a half ago and marveling at how I managed the comment sections then with such a cultured savoir-faire. I sometimes think I missed my calling providing counseling and therapy to troubled youths.

    • Alright, smarty-pants, I’ll just mosey over to your blog and find out what you’re on about…

  4. “but any thought of Scots making productions which tackle their own history have been strictly verboten. ” but WHY??? Don’t any films get made in Scotland?

  5. Definitely have to see this again, loved it when it was on the telly and you can’t beat Glenda Jackson in the role. As for Dalton, I’d thought it was Michael York literally til I started blogging. Thanks for this fab shout out X And hope all is well in Scotland xx

    • Living it large here by the bonnie bonnie banks! Dalton is intense in this film, but he gets the job done. For some reason, I couldn’t help thinking it might have worked with the actors switching places and Jackson as Mary, but they’re both good in this. But one day, it would be nice to see a Scottish version…and it looks mint on HD, much better than the old fuzzy tv!

      • That would have been interesting if they’d swapped placed. I remember Glenda did a TV series as Elizabeth I too… I had nightmares as a kid with Dalton’s final scene in the orchard (not really a spoiler as it’s history!!!)

        • Even the way Rizzio was killed was quite bloody for tv. I’m still having nightmares about the end of BBC Sunday night movie Nicolas and Alexandra. Nothing like seeing a family with kids before a firing squad, but that’s history for you…

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