Once Upon a Time, Brits used to mock American television; absolute laugh-fests like The Hostage Tower typify everything wrong with the US tv model circa 1980. A silly idea, originally from Alistair MacLean, gets the small-screen treatment for this CBS product which feels more like a broken pilot than a feature film, and forty years later, it’s the complete randomness of the casting that makes it a must-see on streaming for slumming cineastes.
Let’s kick off with Billy Dee Williams, currently riding high as Lando in the latest Star Wars film. He was a hot name in 1980, and ideal as CW/ Clarence Whitlock, a US agent who infiltrates a terrorist organisation planning to blow up the Eifel Tower. Exciting, right? Well, yes, and perhaps ahead of it’s time in this respect, although risible bad-guy Mr Smith (2001’s Keir Dullea) has a much more preposterous Plan B scheme up his sleeve, kidnapping the president’s mother (Brief Encounter’s Celia Johnson) and holding her for ransom. Fortunately another US agent Mike Graham (step forward next guest Peter Fonda) has also infiltrated Mr Smith’s group, and his hell-bent on stopping him. This involves ground forces in the unlikely form of Douglas Fairbanks Jr and Rachel Roberts causing a distraction to that Billy Dee Williams can abseil down the Eifel Tower with Celia Johnson on his back, while a series of robot-controlled lazers attempt to pick them off. Did we mention Bond girls Maud Adams and Britt Ekland are thrown into the mix, or that the film is shot largely in Paris around the tower itself?
The Hostage Tower was directed by Claudio Guzman, whose main credits were the I Dream of Jeannie tv show, but he fails to bring the same intensity or vision to Hostage Tower. What he does do is capture the strangest cast of actors gathered together in Paris to look upwards; pretty much everyone is on the skids here. There’s an unusual emphasis on how terrorists train, although these sequences don’t match the actual tower assault, which features Williams dressed as a cartoon chef pushing a massive soup-tureen past idiotic security guards.
The Hostage Tower has never been issued on DVD, and there’s a reason for that. But having admitted that this is no-one’s finest hour, this is the ideal film to watch when you want to keep investment levels low and snark high. With roller-skating bank robbers, lazers blowing up footballs and all kinds of ridiculous heroism, it’s an open invitation to gawp at the crudity of cheap entertainment. As Noel Coward put it, Keir Dullea, Gone Tomorrow…and that just about sums up the disposable quality of this fascinating relic of tv’s past.