“I call it Fifty Shades of Yay!’ shrieks an exuberant Tom Holland in Blue Sky’s new animated film, a vehicle that pairs the Spiderman star with venerable character actor Will Smith for some espionage capers. This Fox/Disney co-production is cannily placed in the festive market to mop up an audience of kids who are too young or unwilling to debate the ins and outs of Emperor Palpatine’s sex life circa Xmas 2019.
Troy Quane and Nick Bruno’s film is based on a short called Pigeon Impossible, which offers a title which shoe-horns pigeon-based humour into a spy theme. And that is where Spies in Disguise goes, unexpectedly; a good forty minutes of the film sees superspy Lance Sterling (Smith) transformed into a humble pigeon. He’s helping do-gooder scientist Walter Beckett (Holland) as the two come into conflict with super-villain Killian (Ben Mendelsohn, typecast beyond redemption) and his metal hand. Killian has a drone army in place for nefarious purposes, and has set-up Sterling as his patsy; transformed into a pigeon, Sterling fights to clear his name and save the world.
Spies in Disguise pretty much drops the pigeon angle for the last half an hour and becomes a straight spy spoof, but not before it’s generated a few good lines. ‘I don’t think that subtitle was in my favour’ Sterling quips as foreign henchmen gather around him. Better still, although the production has a sleek Incredibles look, the film doesn’t rely on big guns and weapons; Walter prefers glitter bombs and holographic kitten distractions, and the conflict between the boy and the older, more experienced Sterling attempts to defuse macho stereotypes.
It’s notable that Spies in Disguise also offers a more hawkish stance towards geopolitics than other kids films, with Sterling teaching Walter about the need to interfere in foreign affairs. It’s a moot point, but this Blue Sky production doesn’t labour it, and with a notably slick car chase that gets off to a slow start when Sterling can’t get into his own car, plus some cool character designs, it’s a satisfying cinema outing for families who just want a quick sugar-rush and a few laughs rather than the final confusing instalment of a forty year old story.
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