The director does indeed seem to have been cut from the package accompanying this blu-ray release of Luc Besson’s celebrated film; there’s barely a glimpse of the French auteur, while star Jean Reno and musician Eric Serra are front and centre of the extras provided here. Given the general obloquy surrounding Besson’s reputation at the time of this new release, perhaps that’s understandable, but it would be a shame to consign Leon to the dustbin of history; it takes more than one person to make a film, and Leon is notable for a trio of iconic performances from Reno, Natalie Portman and Gary Oldman, the latter setting a gold standard for manic villainy that’s rarely been bettered.
The rangy-looking, punkish Reno plays the title role; Leon, pronounced more like Sergio Leone that Leon the pig farmer. He’s a hit-man of remarkable effectiveness, introduced in a generic but effective series of track-downs. Operating in a sunny New York, Leon retires to his apartment between jobs, only to find himself drawn into a violent stramash when he takes pity on precocious kid Mathilda, played by Portman. When her family are eliminated by Norman Stansfield (Oldman), Mathilda’s last hope is to knock on Leon’s door; he lets her in, not only to his apartment, but to an array of weapons and a philosophy that would befit a samurai; the knife comes last. Of course, Leon and Mathilda’s relationship is frowned on, not least by Stansfield’s government colleagues, who want them both eliminated.
Those who seek to psychoanalyse Besson, to prove him innocent or guilty of actions elsewhere, will find plenty of evidence to consider in Leon; this director’s cut, some 23 minutes longer than the original, makes explicit that Mathilda sees Leon in a sexual way, and also makes explicit that he does not share her view. That was implied in the version originally released as The Professional in the US, but it’s probably worthwhile to have this spelled out. Either way, the film retains an uncomfortable edge that adds to the plotting; given how effectively Leon’s story plays out, it’s strange that Besson has never taken an espionage/assassin story so seriously in the many films that followed.
If Besson’s reputation is problematic at the time of this blu-ray’s release, Leon: The Professional is, like the central character, beyond reproach. Reno was never better than this, silent, dexterous, unexpectedly comical and a consistent, powerful presence. Portman makes Natalie seem both grounded and real, while Oldman gives the kind of huge, villainous performance that makes a great movie flow; snaffling drugs like sweets, playing an invisible piano, his manic energy is balanced by Reno’s absorbent hero. And Leon has never looked as good as it does here, the blu-ray fully capturing the canyon streets of NYC, a breath-taking, outsiders view of a dark and dangerous city hidden by shafts on sunlight.