Is it too late for Netflix to bring the funny? With Amazon investing billions in established IP like Lord of the Rings, it seems perverse that Netflix’s latest big investment is decades-old episodes of Seinfield to complement decades-old episodes of Friends. Not that these shows aren’t great, but they’re placeholders for new comedy that’s yet to appear. Tapping into existing comedy like Joel McHale didn’t work, even though his show had some great stuff in it, so this harnessing of popular content from Funny Or Die seems like a step towards giving Netflix an identity based on putting smiles on faces.
Zach Galifianakis has been ploughing an amusing furrow with his talk-show parody Between Two Ferns, originally Betwixt Two Ferns as he mentions in Scott Aukerman’s expanded reboot. There’s elements of Ali G as Galifianakis says and does exactly what an interviewer should not, drawing attention to himself, mis-representing his guests, and just being plain rude; there’s plenty of big names willing to show themselves as good sports. This time around, it’s pretty clear that there was an Avengers movie sending a roster of names to the set; Benedict Cumberbatch, Tessa Thompson and Brie Larson keep a straight face while names, acting talents and personal quirks are insensitively discussed.
There’s also a fresh frame; Funny Or Die boss Will Ferrell closes down the set after it gets destroyed during a sprinkler disaster that nearly drowns a game Matthew McConaughey. Galifianakis and his team head cross-country to find stars and interview them in their homes, and there’s some neatly developed sketches that turn the format on its head; a one-night stand with Chrissy Teigen leads to a troubled visit from husband John Legend. Otherwise, it’s fun to see Jon Hamm, Peter Dinklage, and perennial Netflix self-parodist Keanu Reeves allowing pot-shots at themselves; the good humour is infectious.
The shortness of the interview sections works a little against the premise, but Between Two Ferns: The Movie works far better than, say Ali G In Da House in that it stays true to the interview-based origins of the conceit. And at the centre is a strong comic character; Galifianakis is vain, downtrodden, pretentious, snarky and not as smart as he thinks. There’s mileage in the way he takes down celebrities; in an age when few interviewers pack a punch, Between Two Ferns offers fake takedowns of today’s ‘hot idiots’ in entertaining fashion.