Perhaps it’s not as iconic as The Untouchables, but Brian De Palma’s adaptation of Edwin Torres’s book is a cracking crime drama that shows commendable restraint. Al Pacino is Carlito, who emerges from prison determined to go straight, despite his lawyer Kleinfeld (Sean Penn) being a coke-snorting shambles. Carlito starts up his own nightclub, always a good way to avoid criminal temptation, and kicks things off romantically with dancer Gail (Penelope Ann Miller). While the set pieces are memorable, including a pool-room shoot out and the epic finale in Grand Central Station, Carlito’s Way has a vice-like grasp of its central characters that never lets up, and engagement is high throughout. Reviews were rather tepid at the time, but De Palma’s thriller is a great Saturday night popcorn film, big stars, big performances, and an exciting, involving story. Pacino and Penn are both great here, giving proper perfoamnces that don’t bear the traces of excess that both men have indulged elsewhere. The story is bookended with a flash-forward to the final scene, which is a classic trope, but deflects the tension and the power; if you can find someone that hasn’t seen it, skip the opening scene and Carlito’s Way is a blast.