Having won an Oscar for his previous period piece Tom Jones, expectations were high for Tony Richardson’s take on the famous British military catastrophe; so much so that it was the most expensive British film ever made when released in 1968. It’s clear where the cheques were cashed; there’s an all-star cast including David Hemmings, John Gielgud, Trevor Howard and Vanessa Redgrave, plus notable cameo roles for Peter Bowles and even Donald Wolfit in a walk-on as Macbeth. The battle-scenes are also striking in that the use of special effects to create large armies had yet to be invented back in 1968; the action involves large groups of extras, and somehow their plainness is more suggestive of the drabness of failure than the more vivid pictures which might created today. The script, written by John Osborne and Charles Wood, plays fast and loose with history, but it does relate to real incidents, like the infamous black bottle affair. The mood changes once the action moves oversees, although it was apparently the result of budget restrictions that Richard Williams was pressed into service to create animated bridges to inform the action; using political cartoons of the time, Williams creates wonderfully vivid tableaux that say just as much about the vain-glorious mind-set of those involved that rest of the the film itself. Made at a time when the Vietnam war was raging, this version of The Charge of the Light Brigade is a politically astute look at failure and blame, and deserves better than a rather musty reputation suggests.