Why don’t the Academy Awards reflect my own personal politics and prejudices? That seemed to be the main argument against Peter Farrelly’s Green Book in the 2018 awards season, and winning Best Picture seemed to alienate many. But with voters split between Black Klansmen and Black Panther, it’s not surprising that there might be enough white and elderly voters to propel Green Book to the top of the pile. It’s an upgrade on Driving Miss Daisy, with Viggo Mortensen as chauffeur for Maharshala Ali, driving around the Southern states in the 1960’s and encountering racial prejudice that tests their friendship. While there are familiar elements of despised white saviour and magical Negro tropes in here. Green Book slyly dodges most of the expected lecturing and hones down on a more gentle conflict of characters between the two men. It might not be the most challenging, outspoken or creative in the awards-season crop, but it’s also an effective civics lesson that’s not really deserving of the levels of abuse it got.