Netflix has proved an unlikely platform for audiences discovering tv shows that they’d previously spurned; You was something of a small-screen flop before the streaming service relaunched it last Christmas. Channel 4’s Toast of London is a very different animal, but deserving of re-discovery on Netflix UK and US. The humour is very knowing, and somewhat unique; Stephen Toast (Matt Berry) is an actor who has been bumming around the London scene for years; his high opinion of himself is matched only by his low opinion of others, notably rival Ray Purchase (Harry Peacock). Toast’s agent Jane Plough (Doon Mackirchan) does get him work, but it’s usually pay-the-rent voice-over work that puts him in the orbit of clue-less, drug-addled hipster Clem Fandango (Shazad Latif). Toast’s exchanges with all these characters, and with landlord Ed Howzer-Black (Robert Bathurst), are often agonising but also amusing. From Father Ted creator Arthur Matthews, Toast of London has a wild and experimental edge, with circuitous conversations that end in unexpected ways, plus crude sexual pratfalls mixed with acidic satire of British luvvies. It’s funny, original and is slowly creeping into the mainstream in a way that would make a Toast revival a tasty prospect; a welcome fourth series has been mooted.