Clint Eastwood’s illustrious career deserves several swan-songs; both Gran Torino and Trouble With The Curve purported to be goodbyes, but The Mule, which sees Eastwood produce, direct and star at the age of 88, gets the job done. It’s astonishing to think that the actor seen in 1955’s Revenge of the Creature is till going strong enough in 2019 to pull a project like this together, and make $100 million Stateside to boot. The Mule cannily plays off the Eastwood legend; there is violence here, but not instigated by Eastwood’s character Leo Sharp, a widower with a penchant for gardening and flowers, and need of a few bucks for his family. Nick Shrenk (Gran Torino) turns in a spry script that plays down the morality of a WWII vet running drugs, and plays up the ‘can-you-believe-this?’ angle, with Bradley Cooper and Michael Pena ideal as the incredulous lawmen on Sharp’s trail. Throw in a couple of threesomes into the mix, plus having his camera ogle some of the female characters feel unnecessary, but at his age, it’s hard not to indulge Eastwood such grace notes; The Mule is quite a way to go.