The story of the Miracle on the Hudson is the kind of material that could make a great tv movie; in the hands of Clint Eastwood, it makes for a great cinema experience. Following a similar structure to Flight, Sully opens with Tom Hank’s airline pilot having nightmares about the successful emergency landing he just carried out over NYC. In a fabricated bit of business that drives the story, the airline authorities somehow take a dim view of his heroic behavior, causing a series of flashbacks from various points of view that unravel exactly why Sully’s actions were so extraordinary. Eastwood avoids bloating the material and takes a sober, factual approach to the near-disaster, aided by a perfectly understated performance from hanks and good support from Aaron Eckhart, whose moustache is worth the price of admission. A model of economy, Sully is a meaty drama that contrives to use a dramatic lie to get at an astonishing truth.