Writer Ronald Harwood evokes the spirit of the ultimate ham actor, Donald Wolfit, in this wonderfully arch character drama from Peter Yates. Known only as Sir, this Shakespearean firebrand is played to the hilt by Albert Finney; an opening scene in which he stops a train by projecting his voice is a perfect illustration of his commanding figure. But his power is fuelled by an unusual relationship, as meek assistant Norman (Tom Courtney) is the wind beneath Sir’s wings. Set during the London Blitz, The Dresser was based on Harwood’s won experiences as a dresser for Wolfit, and while unashamedly theatrical in tone, Yates’s film is peppered with fantastic anecdotes about the bitchy-backstabbing that goes on behind the scenes of a rep company. Sir’s line ; “The critics? No, I have nothing but compassion for them. How can I hate the crippled, the mentally deficient, and the dead?’ gives some idea of the barnstorming style. Nominated for five Oscars, the Dresser is something of a forgotten movie; Finney’s majestic performance makes it well worth seeking out on free-movie channel Crackle.